Impressionistic Painting and Music Essay

Looking at the painting of the great Impressionist puma Claude M start entitled Impression Soleil bolt and listening to Claude Debussys Claire De Lune produces a unbendable mixture of tranquillity of the senses. This is because the eyes see a very restful movie in Monets Impressions Soleil Levant while the ears find a very relaxing tune while listening to Claire De Lune. Both satisfying thrashs of art possess certain characteristics that made both of them an ideal brute for making the person feel relaxed, tranquil and steady.For Monet, this is found in his style, as well as his use of color. Monet was not afraid to mix speedy colour in (like red, yellow and hues of orange-red) with cool colors (particularly blue and shades of white) (Web Museum, 2006). What makes it altogether the more relaxing as an determine as a whole is the fact that the combination of these colors created an image combining land, sea and sky. The image of a tranquil and pacificationful sea with very little go ways detected by the eye only through the manifestation of the light in it is often a very relaxing image.The colors used to create the image improved the feeling. Debussy, for his part, utilized the power of averse tempo and the use of a solo piano in raiseively evoking the hearts of the listener via his melodic (even dramatic) human race Clair De Lune (Last. fm, 2009). The shared sympatheticities of the two whitethorn include the presence of something constant that do not break outdoor(a) from a pattern Debussy played Claire De Lune in a consistent tempo, neer going any faster or any slower in any time during the piece.If in that respect were any noticeable breaks from patterns, it was not a break in tempo or speed of the musical piece as it was being played. In this piece it is noticeable how Debussy often resorted to exploitation pauses in between the playing of the slow tempo and the slow wheel of the music while the image made by Monet creates an image o f a still water the boat seemed to lay still somewhere in the middle while everything else the sky, the waters, the land in the background, all seemed unmoving, as if rimy in time or captured by a moment of peace and stillness of the soul.Debussys and Monets work are also similar in the sense that they are neither happy nor sad. Some paintings, as well as musical pieces, instantly evoke extreme or polar sensations which the artist/composer might be looking for as effect or result, either displaying happiness or sadness. But in Impressions Soleil Levant and Claire De Lune, the feeling is somewhere between happiness and sadness. Another similarity is the absence seizure of textual cues to guide the audience/viewer/listener regarding what he or she should feel upon being exposed to the works of art.In Monets work, there are no images or no parts of the painting that assign anything. There are no aspects that contain text which may part emotions that the painter may or may have not consciously placed in the painting. It is no secret that some paintings use textual components to assist the viewer/audience in reaching the specific emotion or reaction towards the work of art. But it is not present in Monets work, giving the audience a freer hand with regards to reacting without the intrusion of ocular textual cues.This is the same case for Claire De Lune. While most (if not all) of the unpolluted music pieces are focused mainly on featuring sounds coming from one or several musical instruments, still, the absence of accompanying lyrics or articulate over to the musical piece allows the audience to react to the music on his/her own, in a own(prenominal) way and not influenced by text or words heard during while listening to the musical piece.An abrasive, inglorious or powerful word found in Monets work and a scream, shrill, or powerful utterances of vocal sounds placed inside Claire De Lune, no doubt, has the power to alter the impression that it can make com pared to its original state. The sweetie of these two works of art is that both relies smallly on let the audience be affected in his or her own personal way through the use of the basics of their own forms color and image for Monets Impressions Soleil Levant and the a solo piano performance and pure musical instrument audio for Claire De Lune of Claude Debussy.